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AMY STACEY CURTIS
Education MA Art and Psychology, Vermont College of Norwich University, Montpelier, Vermont, 2000 BA Studio Art (Phi Beta Kappa, highest distinction), University of Maine, Orono, Maine, 1993 Grants, Awards, and Honors 2011 Artists' Fellowship, Inc. Grant, New York, New York 2011 Change Inc. Grant, Robert Rauschenberg Foundation 2011 Good Idea Grant, Maine Arts Commission, supported by National Endowment for the Arts 2009 Good Idea Grant, Maine Arts Commission, supported by National Endowment for the Arts 2009 Rebel Blend Fund, Coffee By Design 2007 Good Idea Grant, Maine Arts Commission, supported by National Endowment for the Arts 2005 Individual Artist Fellowship, Maine Arts Commission, supported by National Endowment for the Arts 2005 Good Idea Grant, Maine Arts Commission, supported by National Endowment for the Arts 2003 Good Idea Grant, Maine Arts Commission, supported by National Endowment for the Arts 1993 Ruth Stebbins and Edmund G. Schildknect Art Honor AwardSelected Solo Exhibitions 2012 SPACE, October 6-26, Maine mill TBD 2011 Perceiving Space, October 22-November 18, June Fitzpatrick Gallery, Portland, Maine 2011 Amy Stacey Curtis: 270 Minutes, January 29, The Garage, San Diego, California 2010 TIME, October 9-28, Pepperell Mill, Biddeford, Maine. Sixth solo biennial 2009 27 Minutes, 27 Hours, November 6-28, June Fitzpatrick Gallery, Portland, Maine 2009 Amy Stacey Curtis: Sort, October 7-24, Montserrat College of Art, Beverly, Massachusetts 2008 LIGHT, October 4-24, Sanford Mill, Sanford, Maine. Fifth solo biennial 2007 Currents 4: Amy Stacey Curtis, November 15-April 13, 2008 Colby College Museum of Art, Waterville, Maine 2007 Lightwork, November 2-24, June Fitzpatrick Gallery, Portland, Maine 2006 Biennial Paintings, November 9-December 14, Leonard R. Craig Art Gallery, Unity College, Unity, Maine 2006 SOUND, October 7-27, Lockwood Mill, Waterville, Maine. Fourth solo biennial 2005 99 Sounds, November 4-26, June Fitzpatrick Gallery, Portland, Maine 2004 CHANGE, October 9-27, Fort Andross, Brunswick, Maine. Third solo biennial 2003 Antecedent:Change, November 7-29, June Fitzpatrick Gallery, Portland, Maine 2003 Please Start Here, October 10-November 11, Woman Made Gallery, Chicago, Illinois 2002 Amy Stacey Curtis, October 15-November 17, North Yarmouth Academy, Yarmouth, Maine 2002 MOVEMENT, October 12-26, Old Sebago Shoe Mill, Westbrook, Maine. Second solo biennial 2002 Ere Movement, May 3-4, Portland Stage Company, Portland, Maine 2000 EXPERIENCE, July 7-August 15, Bates Mill Complex, Lewiston, Maine. First solo biennial 2000 Thesis Exhibit, March 31-April 8, Vermont College of Norwich University, Montpelier, VermontSelected Group Exhibitions 2011 Emerging Dis/Order: Drawings by Amy Stacey Curtis, Alison Hildreth, and Andrea Sulzer, June 10-September 10, Bates College Museum of Art, Lewiston, Maine; October 6-November 5, 2011, University of Maine Farmington Gallery, Farmington, Maine 2010 Fuzzy Logic, April 9-June 17, Thompson Gallery, Cambridge School of Weston, Massachusetts 2009 Studio Walls, March 6-28, SPACE, Portland, Maine 2009 Black & White & Red, February 14-March 14, June Fitzpatrick Gallery, Portland, Maine 2009 Recent Acquisitions, January 23-March 30, Bates College Museum of Art, Lewiston, Maine 2008 Drawn, September 4-October 8, Hans Weiss Newspace Gallery, Manchester, Connecticut 2008 The Crossing of Time and Environment, Outdoor Micro-Installations Exhibition, June 8-17, Toshei Village, Danei Township, Tainan County, and Tainan University of Technology, Taiwan 2007 New England Now, November 15th-January 11, Paper New England, Hartford, Connecticut 2007 Tiny, November 10-December 22, Whitney Art Works, Portland, Maine 2007 15th Anniversary Exhibition, August 3-30, Woman Made Gallery, Chicago, Illinois 2007 Soundmarks: New Work by NB Aldrich/Zach Poff and Amy Stacey Curtis, June 7-August 15, Art Interactive, Cambridge, Massachusetts 2007 Sound Exchange (two-person), January 5-February 24, Grothaus+Pearl Gallery, Kansas City, Missouri 2006 Road Movies, June 14, The LAB, San Francisco, California 2006 Signal and Noise, April 27-29, Video In Studios, Vancouver, British Columbia, Canada 2006 Laterna Magica II: Video Art Festival, March 24-May 7, Provincetown Art Association and Museum, Provincetown, Massachusetts 2006 Activator, January 19-March 19, Bates College Museum of Art, Lewiston, Maine 2005 A New Order: Appropriation Art in the Digital Age, December 3-February 5, Montserrat College of Art Gallery, Beverly, Massachusetts 2005 Luminous Recurrence, December 1-January 9, Shore Institute of Contemporary Art, Long Branch, New Jersey 2004 Subterranean Angels, June 6-August 31, Revolving Museum LAB, Lowell, Massachusetts 2004 UMVA Annual, February 5-27, College of the Atlantic Blum Gallery, Bar Harbor, Maine 2003 ISC@GFS, International Sculpture Center Member Juried Exhibition, July 26-September 28, Grounds For Sculpture, Hamilton, New Jersey 2003 The Four Elements, June 15-August 31, Forest Hills Educational Trust, Boston, Massachusetts 2002 Terrain: Sculpture Today, March 9-April 24, Institute of Contemporary Art, Maine College of Art, Portland, Maine 2000 H2O 2000: Water as a Theme in Art, June 6-July 30, T.W. Wood Art Gallery, Vermont College of Norwich University, Montpelier, Vermont 1997 Area Artists 1997, Lewiston-Auburn College, University of Southern Maine, Lewiston, Maine 1993 Senior Thesis Exhibit, Maine Coast Artists Gallery, Rockport, MaineSelected Bibliography/Media 2011 Sebastian Smee, The Boston Globe, "Artists lay it on the line", August 19 2011 Taryn Plumb, Artscope, "Emerging Dis/Order: Drawings by Amy Stacey Curtis, Alison Hildreth, and Andrea Sulzer," July/August 2011 Daniel Kany, Maine Sunday Telegram, "Art Review: Wyeths, women at Bates illustrate power of drawing," July 24 2011 Susan Grisanti, Maine Home+Design, "Current Work," April 2010 Gillian Graham, Biddeford-Saco-OOB Courier, "It's about time," October 14 2010 Annie Larmon, The Portland Phoenix, "Amy Stacey Curtis's Sixth Solo Biennial," October 12 2010 Tammy Wells, Journal Tribune, "Mill hosts perceptions of time," October 12 2010 Bob Keyes, Maine Sunday Telegram, "Time Zone", October 7 2010 Edgar Allen Beem, DownEast Magazine, "Art on the Edge", August 2010 Christine Temin, Art New England, "Seven Sculptors to Watch," June/July/August 2009 Philip Isaacson, Maine Sunday Telegram, "In the Arts: Area Artists show brimming with talent, energy", February 22 2008 Bob Keyes, Maine Sunday Telegram, "LIGHT", October 19 2008 Maine Art Scene, Maine Arts & Culture Online Magazine, "Maine Artist Interview: Amy Stacey Curtis", October 18 2008 Andrea Rose, Weekly Observer, "Let There Be Light," October 15 2008 Chloe Johnson, The Wire, "Let There Be Light," October 9 2008 Renee Worthing, Sanford/Springvale Register, "Weekly Interview: Amy Stacey Curtis," September 25 2008 Nancy Heiser, PortCity Life, "Mill Work," September 2008 Elena Sarni, Big RED & Shiny, "Amy Stacey Curtis @ Millstone Place", September 29 2008 Donna Landry, Journal Tribune/York County Weekend, "Aspects of Light," September 27-28 2008 "Maine Art Scene," on Maine Watch with Jennifer Rooks, Maine Public Broadcasting Network, February 8 2008 Elena Sarni, Artscope, "Currents4: Amy Stacey Curtis," January/February 2007 Ray Routhier, Maine Sunday Telegram, "Big, yet tiny," December 9 2007 Bob Keyes, Maine Sunday Telegram, Arts Dispatches: "Installation artist featured in annual Colby exhibition," November 18 2007 Matt Eagan, The Hartford Courant, "New England Art On Paper," November 15 2007 Ken Johnson, Boston Sunday Globe, Critics' Picks, "Now hear this," June 17 2007 Jacqueline Houton, Big RED & Shiny, "Soundmarks @ Art Interactive," June 13 2007 Ray T. Barker, The Pitch, Kansas City, "Sound Exchange," February 5 2006 Doug Harlow, Morning Sentinel, "Art as sound: Hear what you see," October 8 2006 Bob Keyes, Maine Sunday Telegram, "Interactive 'Sound' installed in old Waterville plant," October 1 2006 Amy Calder, Morning Sentinel, "Art on a grand scale," August 28 2006 Chris Thompson, The Portland Phoenix, "Retooled," February 2 2005 Michael Townsend, The Bollard, "99 pictures of sound on the wall," November 9 2005 Rich McKown, Art New England, February/March 2005 Cate McQuaid, The Boston Globe, "When the lines blur," January 7 2004 Discovering Advanced Algebra: An Investigative Approach, Key Curriculum Press; Fragile introduces chapter about matrices and linear equations 2004 Benjamin Genocchio, The New York Times, "A show where light is very heavy," December 19 2004 Bob Keyes, Maine Sunday Telegram, "You're invited to help artist create," October 17 2004 Chris Thompson, Portland Magazine, "The Shape of Things," September 2004 Chris Thompson, The Portland Phoenix, "Risky Business: Visual art's a great gamble this fall," September 17 2004 Sam Pfeifle, The Portland Phoenix, "Portland's Most Influential (Women)," August 13 2004 Maine Times, "Eight Experts Focus on the Year Ahead: Curtain Rises on New Talents and Venues," January 2004 Maggie Knowles, The Portland Phoenix, "The Touchables: Hands-on in SPACE," January 23 2003 Burt Wasserman, Prime Time, "Meeting the third dimension," September, Art Views 2003 Benjamin Genocchio, The New York Times, "A show with a good sense of humor," August 10 2003 Christine Temin, The Boston Globe, "Cemetery branches out with subtle, site-specific artwork," July 20 2002 Chris Thompson, The Portland Phoenix, "Your own risk," October 17 2002 Bob Keyes, Maine Sunday Telegram, "Movement invites viewers to play," October 13 2002 Chris Thompson, The Portland Phoenix, "The art of raw," May 2 2002 Jason Wilkins, Casco Bay Weekly, "Moving art: Local artist's latest venture combines movement with the psyche," May 2 2002 Jenna Russell, The Portland Phoenix, "On solid ground: The ICA's 'Terrain' provides sculpture that explores," March 22 2002 Phil Isaacson, Maine Sunday Telegram, "No doubt about it, sculpture show sizzles," March 17Curatorial 2007 Sound Exchange, January 5-February 24, Grothaus+Pearl Gallery, Kansas City, Missouri 2004 Touch, January 9-February 27, SPACE, Portland, Maine 2003 Women, Trauma, & Visual Expression, October 17-November 13, Woman Made Gallery, Chicago, Illinois. Learn about Curtis's book Women, Trauma, & Visual Expression Selected Professional Experience 2011- Assistant Professor, Professional Development, Intermedia MFA Program, University of Maine, Orono, Maine 2010 Visiting Artist/Lecturer, Intermedia MFA Program, University of Maine, Orono, Maine 2009 Visiting Artist/Lecturer, Maine College of Art, Portland, Maine 2009 Visiting Artist/Lecturer, Montserrat College of Art, Beverly, MassachusettsSelected Collections Bates College Museum of Art, Lewiston, Maine Colby College Museum of Art, Waterville, Maine Paper New England, Hartford, Connecticut Portland Museum of Art, Portland, Maine Selected Juried Slide Registries The Drawing Center, 35 Wooster Street, New York The Painting Center, 52 Greene Street, 2nd Floor, New York Representation June Fitzpatrick Gallery, Portland, Maine, works on paper
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